ILLUSTRATORS

JOHN PEDDER

Liverpool-born John Pedder trained as an artist and printmaker in Hull, before moving to Sheffield, where he now lives and works.


Motivated by his innate desire to create, and fascination for imitation, his pared-down works depict the human experience, often with a humorous twist. His prints have an immediacy to them, while his woodblocks retain a sculptural quality borne from the printing process.

HOWARD TANGYE

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Womenswear.

There, he tutored many contemporary greats, including John Galliano, Stella McCartney, Christopher Kane, Wes Gordon, Zac Posen and Hussein Chalayan.

LISELOTTE WATKINS

“We’re all still burning bras in a way, aren’t we?” says Swedish artist Liselotte Watkins with a laugh, phoning in from her Rome-based studio.

Watkins has, since the beginning of her illustrious career (in all of its varying forms), effectively dedicated herself to documenting what she describes as “all the shades of women” in various media. It all began with a 25-year venture as a fashion illustrator.

HIROSHI TANABE

Born in Kanagawa, Japan, Hiroshi Tanabe graduated from Tama Art College with a degree in Graphic Design. In 1990 he went to study at the Accademia Di Brella in Milan and focused on fine art and sculpture. He began focusing on illustration while studying in Italy. His first project was a T-shirt design for a night-club in Milan. Hiroshi's unique and vibrant illustrations mirror the graphic line work of traditional Japanese woodcuts.

ILLUSTRATORS TO WATCH x FIDA TALKS

Pat Vale

"When folk look at Patrick’s absorbing drawings, some worry that there’s something wrong with him; that he’s obsessive or OCD ­but that assumption gives way to one of euphoria. Actually, ‘looking’ is an inaccurate way to describe the reaction; it’s more of a feeling of being seduced into a view that he’s already experienced and he’d be pleased if you the viewer vicariously enjoyed what he was amazed by in the first place. He’s like that, he’s a generous and thoughtful man. The second thing that hits the viewer is the sheer skill and patience he possesses to be able to make the drawings that he does. No computer jiggery­pokery, just hard work, honest clarity and an excited arm. This is no mean feat. "

written by Paul Davis

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